Grace Mirams

Selected Solo Exhibitions
Selected Group Exhibitions
 06  Frontier
07  Polyphony Objects
08  Ateliermo

Studio Notes
Workshops
Information
Workshops
Auckland Art Gallery Toi O Tāmaki
Dame Robin White: Te Whanaketanga | Something is Happening Here
Public Programme Facilitated by art historian Dr. Bronwyn Lloyd, this workshop was developed with contemporary visual artist Grace Mirams and Dame Robin White as part of the public programme for Robin White’s 2022 retrospective at Auckland Art Gallery Toi o Tāmaki: Te Whanaketanga | Something is Happening Here.
       The workshop introduced educators and participants to collaborative printmaking techniques through hands-on making and discussion. Drawing from Mirams’ practice across Aotearoa New Zealand and London, the sessions focused on creativity, shared making, and practical approaches to using art in the classroom . The programme highlighted the collaborative relationship between Mirams and White and their shared interest in material practice and community engagement.


Studio One Toi Tū
Formative Drawing  + Print Workshop  with Gab  Stoddard
Formative Drawing + Print Workshop was facilitated by Grace Mirams at Studio One Toi Tū in collaboration with Creative Arts Therapist Gabrielle Stoddard. The workshop explored drawing as an embodied and process-based practice, using gesture, repetition, and mark-making as pathways into print.
        Through a series of experimental drawing exercises, participants were encouraged to work intuitively across pencil, charcoal, ink, and monotype print processes. Referencing artists and writers including Yvonne Rainer and Hannah Bres, the workshop focused on flow states, movement, material play, and the relationship between body, gesture, and image-making.



Public Record
This Hand From Stone | Print + Book Binding Works 
Public Programme Print + Book Binding Workshop facilitated by Yuka O’Shannesy, director of Public Record with Grace Mirams was created in response to her exhibition This hand from stone. The workshop explored printmaking as a process-led extension of drawing, using gesture, repetition, and material experimentation as starting points for image making.
       Participants moved through a series of rapid drawing exercises before translating selected marks into monotype prints. Working across pencil, charcoal, ink, and hand-pressed and press-based techniques, the session emphasised process, surface, and the relationship between drawing, printmaking and assemby of works through traditional Japanese bookbinding techniques.
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